Samantha Sutcliffe is an artist, film-maker and writer based in New York.  She is interested in the following topics: alienation, suburbia, formation of identity, the (d)evolution of sexuality, perversion, ostracism and  how the consumption of mass media shapes and modifies our perception. 

Her foundational influence is Gonzo Journalism, characterized by an emotional approach to story-telling where participation is key. In college she gravitated towards documentary work of photographer Peter Van Agtmael and director Laura Poitras, whose fearless approach to storytelling inspired her to create works with high levels of intensity that challenge conventions. 

She’s  been commissioned by musicians and fashion labels to direct absurd, advertly psychological, subversive and overtly sexual narratives that are pulled directly from her own fictional stories. 

In 2021 she started an art movement against censorship, paying homage to transgressive writers, musicians and political activist of earlier generations. Over a period of three years Samantha has programmed lectures, taught classes, curated exhibitions, produced art fairs and distributed films with a dedication to preserving transgression in this daunting socio-political landscape. 

Her work has been published in Truth in Photography, Gigantic Magazine, Dirty Magazine, American Vulgaria, Phile Magazine, Paper Journal, Musee Magazine and Atlantic.Rethink. 

Education
2019 International Center of Photography, New York, NY 
Post-Graduate in Documentary Practice and Visual Journalism 
2013 City College of New York, NY 
Bachelors of Arts in Studio Art, Minor in Art History 

Grants, Honors and Awards
2024 Emerging Exhibitors Grant, Jersey Art Book Fair
2022 Creatives Rebuild New York
2021 Lucie Foundation Notions of Home Prize
2021 Fotofilmic Partial Scholarship for Michael Famighetti Workshop
2021 The City Corps Grant
2021 The Hopper Prize Finalist
2018 International Center of Photography Director’s Cut Scholarship 

Select Publications
2024 The Girl Issue, American Vulgaria 
2024 ‘Broken Mirror’ Photo Essay and Interview, Truth in Photography 
2024 ‘Life in Plastic’, Dirty Magazine Issue 08
2024 Pretty Obscure Anthology, Far West Press
2024 ‘Rebel Girl’, Gigantic Magazine 
2023 Women Crush Wednesday, Musee Magazine
2023 ‘The Dollman’ No Agency Annual 
2022 ‘Broken Mirror’, Atlantic.Rethink 
2021 Fotofilmic JRNL 10 Curated by Paul Schiek 
2021 THNK1994 Museum Art Zine
2021 Interview, The Hopper Prize 
2021 ‘Broken Mirror’, Paper Journal 
2019 ‘Get to know Lexi Minoa’, Phile Magazine Issue 03 
2017 Super Special Volume 10, Vuu Collective 
2017 As of Late, Oranbeg Press

Short Films
2024 Leo, in collaboration with Ben Fama for The Poetry Project
2024 Mo Troper Svengali Live

Group Shows and Screenings
2024 Leo, Film Screening, The Poetry Project, New York, NY 
2023 Rockaway Art Week, Far Rockaway, NY 
2023 Death of the Subject, Public Works Administration, NYC
2020 The Vida Archive, The Royal Society of Art, Brooklyn NY
2019 My Suburban Sprawl, International Center of Photography, New York, NY
2019 971 Int’L, SF Projects, New York, NY
2014 Newspace Now!, Newspace Center for Photography, Portland, Oregon
2014 In One Place or Another, Aviary Gallery, Jamaica Plain, MA
2014 Across the Gutter, 110 Meserole, Brooklyn, NY
2014 Infocus Juried Exhibition of Self-Published Works, The Phoenix Art Museum, Arizona

Public Collections
The Phoenix Art Museum 


Instagram
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More Human than Human (2024)
1 minute, 03 Seconds

I’m walking in the rain alone at last.
I’m more human than human.
Allstate 718-392-9400, Forever Young, Pussy Boy, looking left and right this is what I see.
I get rid of my family because they make me feel nauseous
and now my only close friends are Jody and Jackie who I met in the lockeroom after realizing our matching Mickey Mouse tattoos.
The bathroom we share is dirty and beautiful with a poster pinned to the wall that says Love is Poison.